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TITLE
DECLARATRION
CERTIFICATE
CONTENTS
PREFACE
INTRODUCTION
I. ORIGIN OF SANSKRIT DRAMA
i. DEVELOPEMENT OF SANSKRIT DRAMA
ii. CONTENT ANALYSIS
iii. CHARACTERISTICS OF SANSKRIT DRAMA
iv. TYPES OF SANSKRIT DRAMA
v. AIM OF SANSKRIT DRAMA
vi. KUTIYATTAM
vii. VIDUSAKA
viii. STAGES OF DEVELOPMENT
ix. DRAMAS USED IN KUTIYATTAM
x. THEATRE CRITICISM
REFERENCE
II. COMMENTORIAL LITERATURE
I. TECHNICAL LITERATURE
II. COMMENTARIES ON LITERARY WORKS
III. DRAMATIC LITERATLIRE
i Literary commentaries
ii Theatrical studies
REFERENCE
III. BHAVABHUTI AND HIS WORKS
Name of the dramatist
Date of Bhavabhuti
Birth-place of Bhavabhuti
Works of Bhavabhuti
Mahaviracarita
The Malatimadhava
Uttararamacarita
Bhavabhutis concept of Rasa
Dramatic merits
KALIDASA AND BHAVABHUTI
The popularity of the plays of Bhavabhuti in Kerala
Literary Estimate of the plays of Bhavabhuti
Reference
IV. PRAKARANA AS A DRAMATIC FORM
Avimaraka
The salient features of Avimaraka
Mrcchakatika
The story of Mrcchakatika
Society as found in the Mrcchakatika
Carudatta
Malatimadhava
Act I
Malatimadhava
Merits of the Play
REFERENCES
V. COMMENTARIES ON MALATIMADHAVA
Rasamanjari of Purnasarasvati
Bhavapradipika of Tripurari
Vibudharatnavali
Malatimadhavatika
Malatimadhavatika
Malatimadhavatika
REFERENCE
VI. PURNASARASVATI
i. Life and Time
ii. Works of Purnasarasvati
ii.Bhaktimandakini
III.Rasamanjari
IV.Kamalinirajahamsa
V Hamsasandesa
vi Anargharaghavatippanam
vii Rjulaghvi
ix Carmanvaticaritam
REFERENCE
VII. RASAMANJARI- A DETAILED STUDY
Characteristic features of Rasamanjari commentary
Erudition
Genuine reading
Rectification of blemishes
New meanings
Explanation of apparent contradictions
Knowledge of various sastras
Sastraic Principles
Aesthetic Approach
Treatment of sentiments
Figures of Speech
Vrttis
REFERENCE
VIII. COMPARISON OF RASAMANJARI WITH OTHER COMMENTARIES
REFERENCE
IX. CONCLUSION
APPENDIX
i WORKS QUOTED
ii. AUTHORS QUOTED
BIBLIOGRAPHY
BOOKS IN SANSKRIT
BOOKS IN MALAYALAM
BOOKS IN ENGLISH
JOURNALS, PERIODICALS
UNPUBLISHED DOCTORAL THESIS