|
| |||||||||||
| |||||||||||
Full Screen- TITLE
- CERTIFICATE
- DECLARATION
- PREFACE
- ABBREVIATIONS
- CONTENTS
- I. INTRODUCTION
- Court poets of king Sahaji
- Vasudeva Diksita
- Bhaskara Diksita
- Tippa Diksita
- Kuppa Pandita
- Iswara sastrin
- Vaidyanatha Diksita
- Kacchapesvara Diksita
- Viraraghava Diksita
- Ayyavaru Diksita
- Vedakavisvara
- Mahadeva Kavi
- Konddavadhanin
- Trivedibhattacarya
- Periyappakavi
- AppaDiksita
- Anantanarayanasastrin
- Mahadevavajapeya Yajvan
- Venkatakrsna Diksita
- Visvapati Sastrin
- Narasimha Diksita
- Venkateswara Kavi
- Laksmana Sastrin
- Samavedi Ventkatesvara Sastri
- Ramabhadra Diksita
- King Sahaji as described by the contemporary poets
- Sridharaveinkatesa
- Kantimatiparinaya
- AppaDiksita
- Sesacalapati
- Bhuminatha
- Gangadhara
- Laksmana Kavi
- Dhundhiraja Vyasa
- Srinivasa
- II. NARAYANA DIKSITA - HIS DATE & WORKS
- III. ADBHUTAPANJARAM - A STUDY
- The Story
- Benediction
- Prologue
- Characters in the play
- Plot Act I-VII
- The fathers contribution
- Incidents in Adbhutapanjara
- Mahamahotsavam & Kasi attack
- Development of the plot
- Mukha Sandhi
- Pratimukha Sandhi
- Garbha Sandhi
- Vimarsa Sandhi
- Nirvahana Sandhi
- Development of the Sentiment
- The main sentiment
- Subordinate sentiments
- Character sketches
- Sahaji
- The heroine
- Lilavati
- Medhavi
- Daksayana
- Umadevi
- Minor charactors.
- Supernatural in the play
- Time and Place of Action.
- IV. NARAYANA DIKSITA - THE POET
- Concept of poetry
- Concept of love
- Descriptive skill
- Literally style
- Figures of Speech
- Metres.
- V. NARAYANA DIKSITA - THE DRAMATIST
- The play
- The plot
- Dramatic effects
- Dialogue
- Dramatic devices
- Characterisation
- Dramatic style
- Language of the play
- Prakrt in the play
- VI. INFLUENCE OF CLASSICAL WORKS
- VII. CONCLUSION
- Pictures and Charts
- APPENDIX - I INDEX OF VRTTAS
- Index of Vrttas
- Index of Alankaras
- SELECT BIBLIOGRAPHY