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Page: 264
 
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  • TITLE
  • DEDICATION
  • ACKNOWLEDGEMENT
  • DECLARATION
  • CERTIFICATE
  • ABBREVIATIONS
  • NOTES
  • CONTENTS
  • I. INTRODUCTION
  • The Far reaching impact of Williams Poetics
  • The Problematic of the Long poem
  • The Postmodern CriticaI Scenario and Critical Responses to Williams
  • Notes
  • II. HOW SHALL I BE A MIRROR TO THIS MODERNITY?
  • Modernism: A Movement through Time
  • Modernism in the Making: Bergson, Neitzsche, Fenellosa, Pound and Williams
  • Modernist - Postmodernist Trends in America: A Historical Sketch
  • Notes
  • III. THE MULTIPLE SEED, / PACKED TIGHT WITH DETAIL, SOURED, / IS LOST IN THE FLUX
  • Postmodem Aesthetics: The Role of Williams. Section I
  • The measure Intervenes, to measure is all we know: The Experiment and Experience of the new measure. Seotion 2.
  • Notes
  • IV. FOR THE BEGINNING IS ASSUREDLY / THE END
  • Paterson Book I
  • The Word incarnate: Section 1
  • The divisions and imbalances: the Influx of the Indeterminate: Book I Section 2
  • The Visible Flux of the Present: Book I Section 3
  • Voices / multiple and inarticulate: Paterson Book II
  • The Spatio-temporal Standpoint: Section 1
  • Stasis and Ek-stasis: Book II Section 2
  • The Variable foot - A Mediation of Order and Disorder, and Collage as a Device for Erosion of Boundaries: Book II Section 3
  • Notes
  • V. THE SURFACE / GLISTENS, ONLY THE SURFACE
  • Paterson Book Ill
  • The Writer and the Reader Weaving out Reality within the act of perception: Section 1
  • Writing as Process: the Materiality of Words Strewn on the Page.Book Ill Section 2
  • The Surrealistic Streak: the Struggle to begin to begin: The Paterson Pallmtext Book Ill Section 3
  • The sea that sucks in all the rivers: Paterson book IV
  • An Experiment in Different Registers: Section 1
  • Decomposition - the Art of Particularizing the General to Explore the Universal inthe Local: Book IV Section 2
  • A Closure with Nascent Openings: Book IV Section 3
  • The serpent / its tail in its mouth: Paterson Book V
  • The Past as an Enriching Present: Section 1
  • Going beyond Monism, Pluralism: Book V Section 2
  • Dance as Performance, Participation: Book V Section 3
  • Notes
  • VI. PATERSON BOOK VI WORDS ARE THE BURDEN OF POEMS, POEMS ARE MADE OF WORDS
  • Notes
  • SELECTED BIBLIOGRAPHY