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TITLE
CERTIFICATE
DECLARATION
ACKNOWLEDGEMENT
CONTENTS
I INTRODUCTION
SECTION - I
1. Fiction
2. American Fiction
3. The Black American Literature
4. The New Voices
SECTION - II
1. Title
The Collective Unconscious
Individuation
2. Significance
3. Justification
4. Purpose
5. State-of-the-art Review
6. Objectives
7. Scope
8. Hypothesis
9. Theoretical Foundations
10. Methodology
II THE OPPRESSION OF THE BLACKS: A HISTORICAL OVERVIEW
1. The Beginning of Slavery
2. Pre-Colonial Africa
3. The Journqy to the New World
4. Slavery Sanctioned
5. First of the Struggles
6. The Revolution and After
7. The Black Reconstruction
8. The Racist Upswing
9. The Great migration
10. The Post - War Situation
11. Towards Egalitarianism
12. The Struggle
III INTEGRATION AND SEGREGATION: SHIFTING IDENTITIES
1. The Aftermath of Racism
2. Approaches to Racial Integration
3. Black American Fiction and Racism
4. The Injured Black Psyche Under Racism
5. Breaking at the Seams
6. Inter racial Sexual Relationships
7. Black -White Interaction
IV THE WRITING SELF VS RACIAL LOYALTY
1. The Quarrel with Richard Wright
2. The Notion of Inter-teutuality
3. Feminine Loyalties
4. Writing Colonialism
5. From the Private to the Social Self: Broadening Visions
V THE DERIVATION OF BLACK CONSCIOUSNESS: THE AESTHETICS OF AFRO-AMERICAN FOLKLORE, MYTHS AND BLUES
1. The Legacy of the Folk
2. The Rising Beat of the Blues
3. Folklore: An Index
4. Brer Rabbit and Tar Baby
5. Myth, Legend and Ritual
6. Black Musical Expression
VI THE WAMOUNTS CONCEPT OF SELF
1. The Feminist Movemetat
2 What is Womanism?
3. Of Mothers and Dauglrfers
4. The Female Bonding
5. The Man -Woman dichotomy
6. The Liberated Self
VII THE CONSCIOUS - UNCONSCIOUS INTERFACE
1. Psychoanalysis and Deconstruction
2. The Unconscious
3. The Self as Goal
4. The Feminine Archetype
5. The Fragments of Self
6. Towards Individuation
VIII CONCLUSION
APPENDIX