HOME
Search & Results
Full Text
Thesis Details
Page:
270
Full Screen
TITLE
DECLARATION
CERTIFICATE
ACKNOWLEDGEMENT
CONTENTS
Introduction - Synaesthesis and Rasa Siddhanta: Affective Theories
The romantic theories
Bharatas rasa theory
plato
Longinus
Wordsworths theory of poetry - J.S Mill
ToIstoys theory
Psychology
Influences on Richards
Chung-Yung
Coleridge
Plotinus
Coleridges idea
Modern psychology
Sherringtons concept of integrative action
Aesthetic equilibrium
Synaesthesis and Santa Rasa
Saiva Advaita
1. Richards Psychological Approach.
Organisation of impulses in Richards
The poet.
Organisation of Impulses
Impulses
The field of stimulation
Responses
An order imposed
Imaginative power
Coleridge on Imagination
Empathy
The self and the non.self
Psychological Principles
Feelings
Coalescence of subject and object.
The process a mystery
Synoptic activity
The inherent structure
A synthesis of impulses
Coenaesthesis
Exclusion and Inclusion
Systematised Structure.
Menta process of the poet
II. Richards Poetic Theory.
Emotive language and reader response
Pseudo statements
Five functions of language
Emotive language
Musical phrases
The intellectual and the emotional streams
Emotional attitudes
Communication
man a communicating animal
correspondence between the poets
Different theories
The vehicle of Communication
The poet and the reader -
Tolstoy on Art
Resolution effected
Poetry orders our mind
strata of a poem
subjectivity
Metaphor
Poise
Sources of misreading
Emotion
The sources of Misreading
Sense, feeling, tone, intenstion
The Sherrington model
Process of identification
The common path model
Interplay of impulses
Reflex action
Unitary harmony
Synaesthesis
The theory of synaesthesis
Attention
Synaesthesis and Conaesthesia
Equilibrium and Harmony
The balance of impulses - Freedom - Chung-Yung -
Chung-Yung
III. Dhvani and Rasa.
Rasa and Dhvani
Verbal structure
Abhidha, Laksana, Vyanjana,
Dhvani
Anandavardhanas Theory of Rasa and Dhvani.
Rasa dhvani
Asamlaksya Krama
Abhinavauptas dhvani theory
Three types of dhvani
Rasa Dhvani
Rasa
StaayiiBhaava
Vyabhicaari Bhaava
Cognitive elements
Vibhaava
Anubhaava
Cognition
Rasa experience
The epistemological nature of rasa experience
Rasa is not a substance
Rasa is aprameya
Rasa as a process
Rasana.
Abhivyakti.
Generalization or Sadharaniikaranam
The sahrudaya experience
Rasana.
Universality of Abhivvakti.
Rasa applicable t o all the arts
Bhaava and Rasa
Pattern of mental states
Bhaava complex
Dominant Staayibhaava
Staayibhaavaa not Rasa
universalisation
The process of enjoyment
Impersonality
The Poet
Definitions of Pratibha
The process of poetic creation
Process of Aesthetic enjoyment
The emotive situation.
The levels of aesthetic experience
Paramaananda
Abhaasa vaada
Pramata
Levels of emotion
Sahrudaya
Vignaas in the way of appreciation
The Philosophy of Abhinava Gupta.
The Pratyabigna school
The process of Samvit
Repose in Siva
Pramaatatva Visraanti.
IV. Poetic Theories of Richards and Abhinava Gupta.
Astonishing Similarity
Richards Land Indian Aestheticians
The poet
Krantadarsi and Vaacaspati
Range
delicacy
freedom
The poetic process
Coleridge and Bharata
Empathy and vaasana
The self and the non self
The radiant self
Coleridge and Abhinava Gupta
The inherent structure
Bhaavana and vaasana
Rasa and sensation
Communication
-Medium, Emotive language
Suggestive language
Referential
language and Gunibhoota
Vyangya.
The poet and the reader
Sadharaniikaranam
Camatkaara
Vaasanas
A poem
a mental condition
Sources of misreading and vignaas
Seven vignas.
V. Synaesthesis and Santa Rasa.
Common path
Equilibrium and freedom
Cognitive chewing
Vaasana and empathy
The Reader and the Sahrudaya
Universalized emotion
Aananda
Nirvigna Samvit
Santa rasa
Aesthetic appreciation
Western theories
Conception of a poet
Language and poetry
A poem
Emotion
Poetic process
Misreading and Vigna
Synaesthesis and Santa Rasa
Vyatireeka Turiyateeta
VI. Happy Similarity
Equilibrium in Shakespeares Tragedies
Psychological Dimensions
Coleridge and Richards
Comparison at Primary Level
Neo-Platonism and Saiva Advaita.
Platonism
Psychological and Metaphysical levels
The end state.
WORKS CONSULTED
APPENDIX - A