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Full Screen- TITLE
- CERTIFICATE
- DECLARATION
- ACKNOWLEDGEMENT
- CONTENTS
- I. INTRODUCTION
- The Title
- Significance
- Justification
- State-of-the-Art Review
- Objectives
- Hypothesis
- Definition of Violence
- Theoretical Foundations
- Hughesian Concept of Violence
- Scope
- Methodology
- II. VIOLENCE: AN AFFIRMATION OF LIFE
- More Oriented Towards Animals
- The World Of Elemental Energy
- The World of Man
- The Significance of the Hughesian Style
- Plosives
- Onomatopoeic Words
- Hyperbole
- Style as Thematic Reinforcement
- III. VIOLENCE: A RITUALISTIC PRIMITIVISM
- Ritualistic Primitivism in the Poems
- Back to the Poems
- IV. VIOLENCE: A PARADOX OF CREATION AND DESTRUCTION
- 1. The Genesis of Crow
- 2 Crows Observations
- a. The Element of Death in Gods Creations
- b. The Problem of Suffering
- c. The Power of Words
- 3. Crowss Experiments
- a. Crows Fall
- b. Crow as Creator
- c. Crow as Trickster
- V. VIOLENCE: AN APOCALYPTIC CEREMONY
- The Epigraphs
- The Argument
- The Prologue
- The Central Narrative
- i) Direct and Indirect Effects of Lumbs Energy
- ii) The Fall of Lumb
- iii) Lumbs Apocalypse
- The Epilogue
- VI. VIOLENCE: A TIMELESS MYTH AND ARCHETYPE
- 1. River: A Timeless Myth
- 2 Wolfwatching: An Archetype
- Semiotics of Contemporary Life
- VII. CONCLUSION
- I. Prometheus On his Crag (1973)
- 2. Season Songs (1975)
- 3. Cave Birds (1978)
- 4. Remains of Elmet (1979)
- 5. Moortown (1979)
- Evaluation
- BIBLIOGRAPHY
- (A) PRIMARY SOURCES
- I. Poetry
- II. Prose
- (B) SECONDARY SOURCES
- I. Books
- II. Articles