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Page: 209
 
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  • Title
  • DECLARATION
  • CERTIFICATE
  • ACKNOWLEDGEMENT
  • Preface
  • Abstract
  • CONTENTS
  • 1. Introduction
  • 2. The Fantastic Mode of Historiography: Voicing a Different View in Salman Rushdies Midnights Children
  • 3. Irony as the Vehicle of Deviation in Vikram Seths A Suitable Boy
  • 4. Linguistic Iconoclasm and Artistic Creation in Arundhati Roys The God of Small Things
  • 5. Conclusion: An Area of Convergence
  • BIBILIOGRAPHY
  • APPENDIX