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Full Screen- TITLE
- DECLARATION
- CERTIFICATE
- ACKNOWLEDGEMENT
- CONTENTS
- Introduction - Synaesthesis and Rasa Siddhanta: Affective Theories
- The romantic theories
- Bharatas rasa theory
- plato
- Longinus
- Wordsworths theory of poetry - J.S Mill
- ToIstoys theory
- Psychology
- Influences on Richards
- Chung-Yung
- Coleridge
- Plotinus
- Coleridges idea
- Modern psychology
- Sherringtons concept of integrative action
- Aesthetic equilibrium
- Synaesthesis and Santa Rasa
- Saiva Advaita
- 1. Richards Psychological Approach.
- Organisation of impulses in Richards
- The poet.
- Organisation of Impulses
- Impulses
- The field of stimulation
- Responses
- An order imposed
- Imaginative power
- Coleridge on Imagination
- Empathy
- The self and the non.self
- Psychological Principles
- Feelings
- Coalescence of subject and object.
- The process a mystery
- Synoptic activity
- The inherent structure
- A synthesis of impulses
- Coenaesthesis
- Exclusion and Inclusion
- Systematised Structure.
- Menta process of the poet
- II. Richards Poetic Theory.
- Emotive language and reader response
- Pseudo statements
- Five functions of language
- Emotive language
- Musical phrases
- The intellectual and the emotional streams
- Emotional attitudes
- Communication
- man a communicating animal
- correspondence between the poets
- Different theories
- The vehicle of Communication
- The poet and the reader -
- Tolstoy on Art
- Resolution effected
- Poetry orders our mind
- strata of a poem
- subjectivity
- Metaphor
- Poise
- Sources of misreading
- Emotion
- The sources of Misreading
- Sense, feeling, tone, intenstion
- The Sherrington model
- Process of identification
- The common path model
- Interplay of impulses
- Reflex action
- Unitary harmony
- Synaesthesis
- The theory of synaesthesis
- Attention
- Synaesthesis and Conaesthesia
- Equilibrium and Harmony
- The balance of impulses - Freedom - Chung-Yung -
- Chung-Yung
- III. Dhvani and Rasa.
- Rasa and Dhvani
- Verbal structure
- Abhidha, Laksana, Vyanjana,
- Dhvani
- Anandavardhanas Theory of Rasa and Dhvani.
- Rasa dhvani
- Asamlaksya Krama
- Abhinavauptas dhvani theory
- Three types of dhvani
- Rasa Dhvani
- Rasa
- StaayiiBhaava
- Vyabhicaari Bhaava
- Cognitive elements
- Vibhaava
- Anubhaava
- Cognition
- Rasa experience
- The epistemological nature of rasa experience
- Rasa is not a substance
- Rasa is aprameya
- Rasa as a process
- Rasana.
- Abhivyakti.
- Generalization or Sadharaniikaranam
- The sahrudaya experience
- Rasana.
- Universality of Abhivvakti.
- Rasa applicable t o all the arts
- Bhaava and Rasa
- Pattern of mental states
- Bhaava complex
- Dominant Staayibhaava
- Staayibhaavaa not Rasa
- universalisation
- The process of enjoyment
- Impersonality
- The Poet
- Definitions of Pratibha
- The process of poetic creation
- Process of Aesthetic enjoyment
- The emotive situation.
- The levels of aesthetic experience
- Paramaananda
- Abhaasa vaada
- Pramata
- Levels of emotion
- Sahrudaya
- Vignaas in the way of appreciation
- The Philosophy of Abhinava Gupta.
- The Pratyabigna school
- The process of Samvit
- Repose in Siva
- Pramaatatva Visraanti.
- IV. Poetic Theories of Richards and Abhinava Gupta.
- Astonishing Similarity
- Richards Land Indian Aestheticians
- The poet
- Krantadarsi and Vaacaspati
- Range
- delicacy
- freedom
- The poetic process
- Coleridge and Bharata
- Empathy and vaasana
- The self and the non self
- The radiant self
- Coleridge and Abhinava Gupta
- The inherent structure
- Bhaavana and vaasana
- Rasa and sensation
- Communication
- -Medium, Emotive language
- Suggestive language
- Referential
- language and Gunibhoota
- Vyangya.
- The poet and the reader
- Sadharaniikaranam
- Camatkaara
- Vaasanas
- A poem
- a mental condition
- Sources of misreading and vignaas
- Seven vignas.
- V. Synaesthesis and Santa Rasa.
- Common path
- Equilibrium and freedom
- Cognitive chewing
- Vaasana and empathy
- The Reader and the Sahrudaya
- Universalized emotion
- Aananda
- Nirvigna Samvit
- Santa rasa
- Aesthetic appreciation
- Western theories
- Conception of a poet
- Language and poetry
- A poem
- Emotion
- Poetic process
- Misreading and Vigna
- Synaesthesis and Santa Rasa
- Vyatireeka Turiyateeta
- VI. Happy Similarity
- Equilibrium in Shakespeares Tragedies
- Psychological Dimensions
- Coleridge and Richards
- Comparison at Primary Level
- Neo-Platonism and Saiva Advaita.
- Platonism
- Psychological and Metaphysical levels
- The end state.
- WORKS CONSULTED
- APPENDIX - A