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Page: 293
 
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  • TITLE
  • CERTIFICATE
  • DECLARATION
  • ACKNOWLEDGEMENT
  • CONTENTS
  • 1 INTRODUCTION
  • SIGNIFICANCE OF THE STUDY
  • STATEMENT OF FORMULATED TOPIC
  • DEFINITION OF TERMS
  • OBJECTIVES OF THE STUDY
  • HYPOTHESES
  • A BRIEF SUMMARY OF METHODOLOGY
  • SCOPE AND LIMITATIONS
  • STRUCTURE OF THE FURTHER CHAPTERS
  • 2 REVIEW OF CONCEPTUAL LITERATURE
  • A.1. ANALYSIS OF MUSIC AND ITS ENJOYMENT
  • Song, Dance and March:
  • 2. Yati
  • Rhythm, Meter and Tempo
  • The South Indian t��½ A patterns
  • Table 2: Tal –Matra: Numeric Distribution Table
  • Graha or e ¶uppu
  • Laya (Tempo)
  • A.2 ANALYSIS OF MUSIC EDUCATION
  • B. MALAYALAM METRE
  • MALAYALAM METRE IN A COMPARATIVE PERSPECTIVE
  • TRIKALA GA¸AS (OF THREE M¡TRAS)
  • CATUÀ¸ALA GA¸AM (OF FOUR MITRAS)
  • PAµCA M¡TRAKAM (OF FIVE M¡TRAS)
  • K®KA
  • K¡KA½I
  • MAµJARI (G¡THA OR M¡KA¸·A MAµJARI)
  • KA½AK¡µCI
  • INDUVADANA
  • KALY¡¸I
  • SAMPU¶ITAM
  • PARYASTHA K¡µCI
  • ÍNA K¡KA½I
  • STIMITA
  • ATISTIMITA
  • MISRA KALY¡¸I
  • PARYASTHA KALY¡¸I
  • M¡VELI
  • MADHURAMO½I
  • ÍNA M¡VE½I
  • KALENDUVADANA
  • ÍNA M¡RA K¡KA½I
  • KUSUMA MAµJARI
  • SRAGVI¸I
  • ÍNA TARA´GI¸I
  • DR£TA TARA´GI¸I
  • ADHI DR£TA TARA´GI¸I
  • MANASVINI
  • BHAJA GOVINDAM
  • ÍNA SITAGRA
  • MADAMANTRA
  • MARANP¡¶¶U
  • BALA TARA´GI¸I
  • DV¡DASA TARA´GI¸I
  • DASA TARA´GI¸I
  • ADHIKA TARA´HI¸I
  • AJAGARAGAMANAM
  • D¢RGHA TARA´GI¸I
  • SAMA D¢RGHA TARA´GI¸I
  • DAN·A TARA´GI¸I
  • K¡KA TARA´GI¸I
  • SAMA K¡KA TARA´GI¸I
  • ÍNA K¡KA TARA´GI¸I
  • LAGHU TARA´GI¸I
  • RAJU TARA´GI¸I
  • CATUR DASA TARA´GI¸I
  • ARDHA TARA´GI¸I
  • MRTA´GAM
  • ÓKA TARA´GI¸I
  • P£R¸A TARA´GI¸I
  • V¡HINI
  • K¡KA V¡HINI
  • P®¶A M¡N GATI
  • SARPI¸I (P¡ºA)
  • UPA SARPI¸I OR N¢LAKK¡RMUKIL
  • ÍN°PA SARPI¸I
  • KALY¡¸I KA½AV¡¸I:
  • UNNATA
  • DV¡RAKA MANDIRAM
  • DR£TA MANAIRAM
  • T¡R¡¶¶U
  • KUMMI
  • KURATTI
  • KURATTIPP¡¶¶U
  • VA¶AKKAN P¡¶¶U
  • NAT°NNATA (VANCIPP¡¶¶U OR BOAT SONG)
  • AYYAPPAN P¡¶¶U
  • ˶¶AM
  • K°L¡¶¶AM
  • MADAN¡RTTA
  • SA´KARA CARITAM (MISRA MADAN¡RTTA OR K¡VYANARTTAGAI)
  • PAµCA C¡MARAM
  • UNA PAµCA C¡MARAM
  • PALLAVINI
  • ANNANA
  • MALLIKA
  • VARIANT:
  • TU½½AL MALLIKA
  • M¡TRA MALLIKA
  • P£R¸A MALLIKA
  • ÍNA MALLIKA
  • HAMSAPLUTAN
  • VARIANT
  • VAKTRAM
  • S¡MA SAMAN
  • ÕMANAKU¶¶AN (S¡RAV®DI)
  • SIT¡GRA
  • T°¶AGAM
  • ÍNA PAµCA C¡MARAM
  • SV¡GATA
  • SUMA´GALA
  • SUKH¡VAHAM
  • BHUG´GA PRY¡TAM
  • PRACITAKA
  • PAI´KI½I
  • MISRA PAI´KI½I
  • SALABAM
  • AMPILI
  • DVIR®HAM
  • BH¡RATI
  • SV¡GATA M¡TRAKAM
  • M¡TRAMA´GALA
  • RANJINI
  • K¡HA½AM
  • DV¡DASA M¡TRAKAM
  • PAµCA GA¸AM
  • VIL¡SINI
  • NARTTANAM
  • MANT¤AN¡TAM
  • MAµJU½AM
  • PALLAVAN
  • K¡KA PALLAVAM
  • SA´K¢R¸AM
  • SAMA SA´K¢R¸AM
  • TRIK¡À¶AKAM
  • PAµCATRIKAM
  • SUDHA PAµCA TRIKAM
  • CATUÀ¶RIKAM
  • DA¸·AKA OR DA¸·IKA
  • CA¸·A V¤À¶I PRAP¡TA
  • INTAM
  • 3 SURVEY OF RELATED STUDIES
  • A. INDIAN STUDIES
  • I. Indian Studies Related to Music Education
  • 2. Foreign Studies Related to Music Education
  • II. Studies Related to Poetry Teaching
  • III. Studies related to Malayalam Prosody
  • Study of vrittam in Malayalayam
  • 4 METHODOLOGY
  • BRIEF STATEMENT OF METHODOLOGIES
  • OBJECTIVES OF THE STUDY
  • HYPOTHESES
  • DETAILED STATEMENT OF METHODOLOGY
  • QUALITATIVE METHODOLGY
  • Validation Procedures in Qualitative Research
  • Validation Procedures in Qualitative Research
  • 5 ANALYSIS OF RESULTS
  • PRELIMINARY FINDINGS
  • DEVELOPMENT OF ANIMATORY CONSTRUCTS
  • EXPERIMENTAL RESULTS
  • An Experimental Tryout of the Constructs with B.Eds
  • The Experimental Results
  • Statistical Testing of Experimental Results
  • 6 CONCLUSION
  • A. PRELIMINARY STATEMENT
  • B. SUMMARY OF FINDINGS
  • C. SUGGESTIONS FOR FURTHER RESEARCH
  • D. IMPLICATIONS FOR EDUCATIONAL THEORY AND PRACTICE
  • BIBILIOGRAPHY
  • APPENDIX I OBSERVATION SCHEDULE
  • APPENDIX II
  • SIMXPHNHC§Ä
  • TNMZYMHEN
  • PART I
  • PART II