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Full Screen- TITLE
- CERTIFICATE
- DECLARATION
- ACKNOWLEDGEMENT
- CONTENTS
- 1 INTRODUCTION
- SIGNIFICANCE OF THE STUDY
- STATEMENT OF FORMULATED TOPIC
- DEFINITION OF TERMS
- OBJECTIVES OF THE STUDY
- HYPOTHESES
- A BRIEF SUMMARY OF METHODOLOGY
- SCOPE AND LIMITATIONS
- STRUCTURE OF THE FURTHER CHAPTERS
- 2 REVIEW OF CONCEPTUAL LITERATURE
- A.1. ANALYSIS OF MUSIC AND ITS ENJOYMENT
- Song, Dance and March:
- 2. Yati
- Rhythm, Meter and Tempo
- The South Indian t��½ A patterns
- Table 2: Tal –Matra: Numeric Distribution Table
- Graha or e ¶uppu
- Laya (Tempo)
- A.2 ANALYSIS OF MUSIC EDUCATION
- B. MALAYALAM METRE
- MALAYALAM METRE IN A COMPARATIVE PERSPECTIVE
- TRIKALA GA¸AS (OF THREE M¡TRAS)
- CATUÀ¸ALA GA¸AM (OF FOUR MITRAS)
- PAµCA M¡TRAKAM (OF FIVE M¡TRAS)
- K®KA
- K¡KA½I
- MAµJARI (G¡THA OR M¡KA¸·A MAµJARI)
- KA½AK¡µCI
- INDUVADANA
- KALY¡¸I
- SAMPU¶ITAM
- PARYASTHA K¡µCI
- ÍNA K¡KA½I
- STIMITA
- ATISTIMITA
- MISRA KALY¡¸I
- PARYASTHA KALY¡¸I
- M¡VELI
- MADHURAMO½I
- ÍNA M¡VE½I
- KALENDUVADANA
- ÍNA M¡RA K¡KA½I
- KUSUMA MAµJARI
- SRAGVI¸I
- ÍNA TARA´GI¸I
- DR£TA TARA´GI¸I
- ADHI DR£TA TARA´GI¸I
- MANASVINI
- BHAJA GOVINDAM
- ÍNA SITAGRA
- MADAMANTRA
- MARANP¡¶¶U
- BALA TARA´GI¸I
- DV¡DASA TARA´GI¸I
- DASA TARA´GI¸I
- ADHIKA TARA´HI¸I
- AJAGARAGAMANAM
- D¢RGHA TARA´GI¸I
- SAMA D¢RGHA TARA´GI¸I
- DAN·A TARA´GI¸I
- K¡KA TARA´GI¸I
- SAMA K¡KA TARA´GI¸I
- ÍNA K¡KA TARA´GI¸I
- LAGHU TARA´GI¸I
- RAJU TARA´GI¸I
- CATUR DASA TARA´GI¸I
- ARDHA TARA´GI¸I
- MRTA´GAM
- ÓKA TARA´GI¸I
- P£R¸A TARA´GI¸I
- V¡HINI
- K¡KA V¡HINI
- P®¶A M¡N GATI
- SARPI¸I (P¡ºA)
- UPA SARPI¸I OR N¢LAKK¡RMUKIL
- ÍN°PA SARPI¸I
- KALY¡¸I KA½AV¡¸I:
- UNNATA
- DV¡RAKA MANDIRAM
- DR£TA MANAIRAM
- T¡R¡¶¶U
- KUMMI
- KURATTI
- KURATTIPP¡¶¶U
- VA¶AKKAN P¡¶¶U
- NAT°NNATA (VANCIPP¡¶¶U OR BOAT SONG)
- AYYAPPAN P¡¶¶U
- 覦AM
- K°L¡¶¶AM
- MADAN¡RTTA
- SA´KARA CARITAM (MISRA MADAN¡RTTA OR K¡VYANARTTAGAI)
- PAµCA C¡MARAM
- UNA PAµCA C¡MARAM
- PALLAVINI
- ANNANA
- MALLIKA
- VARIANT:
- TU½½AL MALLIKA
- M¡TRA MALLIKA
- P£R¸A MALLIKA
- ÍNA MALLIKA
- HAMSAPLUTAN
- VARIANT
- VAKTRAM
- S¡MA SAMAN
- ÕMANAKU¶¶AN (S¡RAV®DI)
- SIT¡GRA
- T°¶AGAM
- ÍNA PAµCA C¡MARAM
- SV¡GATA
- SUMA´GALA
- SUKH¡VAHAM
- BHUG´GA PRY¡TAM
- PRACITAKA
- PAI´KI½I
- MISRA PAI´KI½I
- SALABAM
- AMPILI
- DVIR®HAM
- BH¡RATI
- SV¡GATA M¡TRAKAM
- M¡TRAMA´GALA
- RANJINI
- K¡HA½AM
- DV¡DASA M¡TRAKAM
- PAµCA GA¸AM
- VIL¡SINI
- NARTTANAM
- MANT¤AN¡TAM
- MAµJU½AM
- PALLAVAN
- K¡KA PALLAVAM
- SA´K¢R¸AM
- SAMA SA´K¢R¸AM
- TRIK¡À¶AKAM
- PAµCATRIKAM
- SUDHA PAµCA TRIKAM
- CATU˦RIKAM
- DA¸·AKA OR DA¸·IKA
- CA¸·A V¤À¶I PRAP¡TA
- INTAM
- 3 SURVEY OF RELATED STUDIES
- A. INDIAN STUDIES
- I. Indian Studies Related to Music Education
- 2. Foreign Studies Related to Music Education
- II. Studies Related to Poetry Teaching
- III. Studies related to Malayalam Prosody
- Study of vrittam in Malayalayam
- 4 METHODOLOGY
- BRIEF STATEMENT OF METHODOLOGIES
- OBJECTIVES OF THE STUDY
- HYPOTHESES
- DETAILED STATEMENT OF METHODOLOGY
- QUALITATIVE METHODOLGY
- Validation Procedures in Qualitative Research
- Validation Procedures in Qualitative Research
- 5 ANALYSIS OF RESULTS
- PRELIMINARY FINDINGS
- DEVELOPMENT OF ANIMATORY CONSTRUCTS
- EXPERIMENTAL RESULTS
- An Experimental Tryout of the Constructs with B.Eds
- The Experimental Results
- Statistical Testing of Experimental Results
- 6 CONCLUSION
- A. PRELIMINARY STATEMENT
- B. SUMMARY OF FINDINGS
- C. SUGGESTIONS FOR FURTHER RESEARCH
- D. IMPLICATIONS FOR EDUCATIONAL THEORY AND PRACTICE
- BIBILIOGRAPHY
- APPENDIX I OBSERVATION SCHEDULE
- APPENDIX II
- SIMXPHNHC§Ä
- TNMZYMHEN
- PART I
- PART II