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  • Title
  • CERTIFICATE
  • DECLARATION
  • ACKNOWLEDGEMENT
  • DEDICATION
  • CONTENTS
  • Introduction
  • Method of Procedure
  • Works Cited
  • 1 Making of the Poet
  • 1.1 Introduction
  • 1.2. Childhood Days
  • 1.3. The Ancestral Tree
  • 1.4. Parents - John Butler Yeats. Susan Pollexfen
  • 1.5. School days
  • 1.6. A. E. (George Russell)
  • 1.7. Bedford Park
  • 1. 8. Topography of Ireland
  • 1.9. Influence of the Classics
  • 1.10. Folklore and Fairytales
  • 1.11. Hermetic Society, Golden Dawn and the Cabbala
  • 1.12. The Rhymers Club
  • 1.13. French Symbolists
  • 1.14. Maud Gonne
  • 1.15. Lady Gregory and Coole Park
  • 1.16. Georgie Hyde Lees
  • 1.17. The Irish Theatre
  • 1.18. Iris11 Politics - Civil War
  • 1.19. Christian lreland
  • 1.20. Indian Philosophy
  • 1.21. Ezra Pound and Noh Plays
  • 1.22. Last Days
  • Works Cited
  • 2 Yeats and Ecumenical Mysticism
  • 2.1. Introduction
  • 2.2. Mysticism - General Import
  • 2.3. Definitions
  • 2.4. Greek or Hellenic Mysticism
  • 2.5. Hindu Mysticism
  • 2.6. Hebrew Mysticism
  • 2.7. Christian Mysticism
  • 2.8. Features of Christian Mysticism
  • 2.9. Mystical Trends in William Blake, William Wordsworth and Rabindranath Tagore.
  • 2.9.1. William Blake
  • 2.9.2. Wordsworth
  • 2.9.3. Rabindranath Tagore
  • 2.10. Mystical Overtones in A Vision,
  • 2.11. Yeatss Unique Status as a Mystic
  • Works Cited
  • 3 Symbolism: The Yeatsian Mode of Expression
  • Introduction
  • 3.2. Symbolism: Origin and History
  • 3.3. Symbolisni - Definition.
  • 3.4. The Symbolist Movement
  • 3.5. The French influence
  • 3.6. William Blake
  • 3.7. Irish Christianity
  • Works Cited
  • 4 Early Dream Phase
  • 4.1. Introduction
  • 4.2. Landscape of Ireland
  • 4.3. Irish Legends
  • 4.4. John Butlers Scepticism
  • 4.5. Painter Friends
  • 4.6. Spiritualistic Organizations
  • 4.7. Mohini and Indian Philosophy
  • 4.8. Dominant Symbols in the Early Phase
  • 4.8.1 Oisin - St. Patrick - Niarnh
  • 4.8.2. The Deer
  • 4.8.3. The Boar
  • 4.8.4. The Rose
  • 4.8.5. The Tree
  • 4.8.6. The Flame
  • 4.9. Christian Overtones
  • Works Cited
  • 5 Out of Old Mythologies
  • 5.1. Introduction
  • 5.2. Frustrated Love Arfair with Matrd Gonne
  • 5.3. Unpleasant Experience at Abbey Theatre and Irish Politics
  • 5.4. Dominant Symbol!$
  • 5.4.1. The Arrow
  • 5.4.2. The Star
  • 5.4.3 Fire and Ela~nr
  • 5.5. Christian Overtones in the Themes and Symbols
  • Works Cited
  • 6 Sailing to the Unknown
  • 6.1 Introduction
  • 6.2. The Lament ove: r the Loss of Youth and Passio~
  • 6.3. Georgie Hyde Lees and Automatic Writing
  • 6.4. Departure of Friends and the Brutalities of Civil War
  • 6.5. Major Symbols
  • 6.5.1. Water
  • 6.5.2. The Tower
  • 6.5.3. Fire
  • 6.5.4. The Beast and the Desert
  • 6.5.5. The Gyre
  • 6.6. Christian Overtones
  • Works Cited
  • 7 Passage to the Winding Stair
  • 7.1. Introduction
  • 7.2. Disillusionment and Fear of Death
  • 7.3. Demise of Political Comrades
  • 7.4. Dominant Syn~bols
  • 7.4.1. The Images of Burniag
  • 7.4.2. The Water
  • 7.4.3. Byzantium
  • 7.4.4. The Gyre
  • 7.4.5. Crazy Jane and Ribh
  • 7.4.6. Tom the Lunatic
  • 7.5. Christian Element in the Themes
  • Works Cited
  • 8 In the Shadow of Ben Bulben
  • 8.1 Introduction
  • 8.2. Christian Overtones in the Symbols and Themes
  • 8.3. Conclusion
  • Works Cited
  • Selected Bibliography