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Page: 309
 
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  • TITLE
  • CERTIFICATE
  • DECLARATION
  • ACKNOWLEDGEMENT
  • CONTENTS
  • I. INTRODUCTION
  • The Title
  • Significance
  • Justification
  • State-of-the-Art Review
  • Objectives
  • Hypothesis
  • Definition of Violence
  • Theoretical Foundations
  • Hughesian Concept of Violence
  • Scope
  • Methodology
  • II. VIOLENCE: AN AFFIRMATION OF LIFE
  • More Oriented Towards Animals
  • The World Of Elemental Energy
  • The World of Man
  • The Significance of the Hughesian Style
  • Plosives
  • Onomatopoeic Words
  • Hyperbole
  • Style as Thematic Reinforcement
  • III. VIOLENCE: A RITUALISTIC PRIMITIVISM
  • Ritualistic Primitivism in the Poems
  • Back to the Poems
  • IV. VIOLENCE: A PARADOX OF CREATION AND DESTRUCTION
  • 1. The Genesis of Crow
  • 2 Crows Observations
  • a. The Element of Death in Gods Creations
  • b. The Problem of Suffering
  • c. The Power of Words
  • 3. Crowss Experiments
  • a. Crows Fall
  • b. Crow as Creator
  • c. Crow as Trickster
  • V. VIOLENCE: AN APOCALYPTIC CEREMONY
  • The Epigraphs
  • The Argument
  • The Prologue
  • The Central Narrative
  • i) Direct and Indirect Effects of Lumbs Energy
  • ii) The Fall of Lumb
  • iii) Lumbs Apocalypse
  • The Epilogue
  • VI. VIOLENCE: A TIMELESS MYTH AND ARCHETYPE
  • 1. River: A Timeless Myth
  • 2 Wolfwatching: An Archetype
  • Semiotics of Contemporary Life
  • VII. CONCLUSION
  • I. Prometheus On his Crag (1973)
  • 2. Season Songs (1975)
  • 3. Cave Birds (1978)
  • 4. Remains of Elmet (1979)
  • 5. Moortown (1979)
  • Evaluation
  • BIBLIOGRAPHY
  • (A) PRIMARY SOURCES
  • I. Poetry
  • II. Prose
  • (B) SECONDARY SOURCES
  • I. Books
  • II. Articles